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TIME: Almanac 1995
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TIME Almanac 1995.iso
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1995-02-26
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<text id=92TT2497>
<title>
Nov. 09, 1992: Reviews:Cinema
</title>
<history>
TIME--The Weekly Newsmagazine--1992
Nov. 09, 1992 Can GM Survive in Today's World?
</history>
<article>
<source>Time Magazine</source>
<hdr>
CINEMA, Page 81
Evil Is an Outsider
</hdr><body>
<p>By RICHARD SCHIKEL
</p>
<p> TITLE: JENNIFER 8
WRITER-DIRECTOR: Bruce Robinson
</p>
<p> THE BOTTOM LINE: Rich in atmosphere, character and solid
suspense, this mystery is criminally entertaining.
</p>
<p> We've met characters like John Berlin (Andy Garcia)
before: the big-city cop who has burned out his marriage, his
career and his spirit in his obsessive, hopeless pursuit of
justice. Now his brother-in-law and sometime partner Freddy
(Lance Henriksen) has helped him get what is supposed to be a
nice quiet job on a small-town police force in Northern
California.
</p>
<p> We've also encountered situations like this before: a
brutal serial killer is out there stalking young women -- in
this case, blind young women -- and baffled law-enforcement
officials are in denial. No, the latest disappearance could not
possibly represent his seventh depredation. No way could Helena
(Uma Thurman), who, although blind, is a witness in the case,
be his next target.
</p>
<p> Like Berlin, we know better. What we're not prepared for
is the way writer-director Bruce Robinson, who created the
marvelously quirky Withnail & I a few years ago, develops his
material. Jennifer 8 (the first victim was named Jennifer) is
a classic whodunit, with clues fairly laid out (often visually)
and the suspense tightening as pursuer and pursued draw closer
together. It is also a persuasive portrayal of an increasingly
tense cop community (John Malkovich contributes a tough, scary
FBI interrogator grilling Berlin when false suspicion focuses
on him). Finally, aided immeasurably by the great Conrad Hall's
darkly foreboding cinematography, the film is terrific to look
at. This director has a real gift for rendering gloomy
provinciality in subtle imagery.
</p>
<p> What he has no taste for at all is gore. He has no
interest in maneuvering unclad women into proximity with a
kitchen knife or in splattering blood across the screen in
colorful patterns. He handles death the old-fashioned way --
discreetly -- and suspense, for him, is a creation of sounds and
shadows.
</p>
<p> And he treats the romance that grows between Berlin and
Helena the same way. They edge toward connection tentatively,
in full but unspoken awareness of the difficulties of their
relationship. Nor is the suspicion of mad and more deadly
passions visited upon either of them in the manner of Fatal
Attraction or Basic Instinct. Evil is what it is supposed to be
in fictions of this kind, an outsider, and the business of the
narrative is to restore order in the community that evil has
disordered. In other words, Jennifer 8 is adult entertainment
in the best, traditional sense of the term.
</p>
</body></article>
</text>